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Multinational advertising, marketing and communication company WPP plc, an early investor in MRC, will remain a strategic investment partner in Valence. The terms of the transaction were not disclosed. Valence is a diversified media company, with divisions or strategic investments in premium television, wide release film, specialty film, live events and digital media. Artists who have previously worked with, or are currently working with Valence include: For more information about Valence Media, visit www.

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The tech giant announced the new series on Thursday. It marks the latest television entry from Mr. Apple said that Mr. His involvement in the Netflix show has him directing only its first two episodes. In a very short period of time, with competition so intense, TV networks have begun committing tens of millions of dollars to projects without so much as seeing a script. Rarer still click at this page an announcement of a coming series without a public disclosure of what was purchased.

For the mysterious new assignment, Mr. Show business fans will recall Mr. After realizing the error, Mr. The untitled Chazelle project is the eighth one to be made public by Apple. Apple is making three other shows with Reese Witherspoon as a producer — one starring Ms.

See the full article at nytimes. Oscar nominations for the 90th annual awards were announced on Tuesday morning from the Samuel Goldwyn Theater in Beverly Hills, Calif. All three films earned best picture nominations. See the full list of nominees at variety.

Those who, like me, were raised on a steady diet of His Dark Materials and Fringe will find much to enjoy in Counterpart, the new Starz drama starring J.

Simmons as two same-but-different men on either side of an interdimensional divide. All the component parts of a good split-reality tale are there—the gradual, patient worldbuilding via context clues; the wide-eyed wonder of discovery, mirrored by an audience proxy; the philosophy-lite hypothetical taking nature versus nurture to its logical extreme—grafted seamlessly onto the plot and tropes of a spy thriller.

Simmons plays Howard Silk, who spends his days—or at least one version of him does—as a functionary cog in an opaque, multifaceted bureaucracy that would do Kafka proud. First, Emily is hit by an inattentive driver, putting her in a medical coma. Who is trying to Youtube Ang Hookup Daan Bible Exposition 2018 Silverado Emily, and why? How are the assassins getting from this other world to ours?

Who is helping them? Both setting and setup directly invoke the Cold War so beloved by spy fiction: The supporting cast makes up a smorgasbord of familiar archetypes: The interplay between these chess pieces gives Counterpart its forward momentum, with allegiances forged, broken, and uncovered at a steady clip.

Slowly, a steady drip of oblique references start to clue us in: Counterpart is much less of a J.

Heat, Point Break, and Reservoir Dogs. As for the finale, two things stand out right off the bat: Jamie Foxx plays a guy called Bats who has a chip on his shoulder the size of an asteroid. So maybe what we have here is something of a "butterfly effect. Read the full article of Variety.

Simmons vehicle than it could have been, and the writing takes care to develop potentially two-dimensional characters as full-fledged protagonists with both agency and inner lives, particularly Emily and Baldwin.

Still, the Academy Award winner—here reunited with executive producer Jordan Horowitz, of La La Land and Oscar mix-up fame—is the undisputed star of the show, and gives a performance commensurate with the doubled demands placed on him to carry the series.

Thirty years apart has created two very different Howard Silks. On the spectrum of sci-fi-adjacent dramas, Counterpart is far closer to Lost than The Leftovers—which is precisely where it should See the full article at theringer.

It is, in other words, completely loopy. What makes the here work is that it invests very little in selling the science of this concept, choosing to craft a taut, suspenseful spy thriller rather than a more fantastical work of science fiction.

What also makes Counterpart work is the Oscar-winner J.

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Simmons, who brings gravitas and emotional heft to a project that could easily careen off the rails toward crazytown. Howard clocks in early every day and visits his comatose wife, Emily Olivia Williamsat night. Information, as any intelligence agency knows, is currency, and Counterpart is precise in what it reveals, eking out twists in each episode, but keeping the larger narrative under wraps. Howard and Alt-Howard are revealed in the first episode to be shockingly different: One is a gentle but unremarkable soul while the other is a hulking, James Bond—style enforcer.

Simmons embodies them perfectly, playing two totally distinct characters who somehow look identical.

What can I do to prevent this in the future?

What on either earth happened to these two Howards to make them so different? These are the moments when the show is at its most riveting, when the infinite questions its premise presents are answered. How do the two worlds differ? How do they get along? Why does one look like Berlin and the other like 22nd-century Shanghai?

Why are smoking and hand-shaking illegal? There are enough loose threads in Counterpart to make a tapestry, but the seems committed to tying them together.

Main Street of Duryea looks high and dry todaybursting with patriotic spirit. The second fires back that she thinks his fingerprints are all over a congresswoman. There have been15 reporte d cases of the West Nile virus in Pennsylva- nia in 2. The therapist tells him that these are just dreams, but this point is somewhat unwritten by the fact that the entire office begins to quake similar to what was happening in Jake's bedroom. He's on a mission.

Plus, for a show whose episodes run around 55 minutes, the pace is gratifyingly propulsive. See the full article at theatlantic. In the excellent, intriguing and occasionally go here "Counterpart," beginning Sunday on Starz, a contemporary Cold War thriller has been erected on a science-fiction foundation: An experiment 30 years ago accidentally split reality into two, as lightning might split a tree.

These separately link planes have remained connected by a passage — in Berlin, appropriately enough — a supernatural Checkpoint Charlie kept secret from almost everyone in either world. An apparatus has grown up around maintaining this portal. At the bottom of this bureaucracy are clueless "interface" men, who speak codes they don't understand to men who don't understand them.

Howard Silk Harry Lloydand introduced to his "other," an outwardly identical Howard from the other world who is at once his twin and himself. But Youtube Ang Hookup Daan Bible Exposition 2018 Silverado Our Howard, as we shall call him for clarity, is a mild-mannered drone, Other Howard is a secret agent in search of an assassin who has come over from his reality to ours and wants to take over Our Howard's life for a while.

And where Youtube Ang Hookup Daan Bible Exposition 2018 Silverado Howard is a nice guy who loves his wife the great Olivia Williams, in a coma as we openOther Howard is not particularly nice — "disappointing" is his blunt assessment of his second self — though he may turn out to be a good guy in the end, who possibly loves his wife. It is sometimes hard to tell who the good guys are here, but that is a feature of spy stories, and just how this one has been arranged.

Viewers familiar with the old Fox series "Fringe," in which alternate worlds were at war, or the recent German Netflix series "Dark," with its portal through time, may feel neurons firing in recognition. But what sets "Counterpart" apart is that the sci-fi elements are mostly beside the point. Created by Justin Marks who wrote the live-action "Jungle Book" filmthis is an almost straightforward political thriller, with the worlds analogous in attitude to what we used to think of East and West.

But they're not telling. There are no death rays, no flying cars. Cars drive on the ground. Travel from one world to the other — entirely on official business — involves inoculations, visas and stone-faced border agents. Apart from a dark passageway and some barred doors, it resembles going through airport customs, only less annoying. Seen from Our Howard's perspective, it's something out of the Alfred Hitchcock playbook -- an ordinary man caught up in extraordinary circumstances.

You do have to pay attention.

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Espionage narratives often involve questions of identity, of course, with players pretending to be someone they're not — and forgetting who they are. But "Counterpart" multiplies the possibilities: These folks can pretend to be someone they actually are. Ideas about nature and nurture are therefore inevitably batted about, such as what makes a person the person they are.

One little thing gone wrong. Some elements don't bear too much inspection. The depiction of the other Berlin, though distinguished by having twisty glass buildings digitally dropped in, is drab and depressed and depopulated in a way that seems more designed to prop up a metaphor than fully imagine a world. They only have flip phones on the other side, which suffered a pandemic our world did not experience, but go here oceans are cleaner.

Times Leader 09-02-2012

One welcome aspect of the series read article that it puts older performers at its center. Age is part of the story — Howard needs to be old enough to have a shared memory with his other self, and to have grown into a different person, and Simmons, 62, does well playing both the soft-edged salaryman and the sleek secret agent, making them easy to tell apart without resorting to caricature.

But it is also pleasant on its own terms to see Simmons, a fine actor and Oscar winner "Whiplash" who rarely gets such parts, as the leading man — leading men, and to watch him work with Williams who is They have a soulfulness and authority that only comes from having lived a little. See the full article at latimes.